Wait, wise old Chinese dude? Do you mean Beat Takeshi as Section Chief Aramaki? He’s a Japanese comedian and actor speaking Japanese.
More you might like
(Ghost in the Shell: ARISE, 2015)
“Why do we have to meet in person? You telling me my cyberlobby is bugged?”
It just occurred to me that, assuming the cyberlobby is hosted locally, this someone their cyberlobby is bugged occupies a strange space in between telling they have the flu, telling them they have a bad apartment messed up by previous guests/habits, and telling them they have an STD.
Which makes it insulting, which is low-key hilarious.
I feel like probably the language they were speaking was Japanese, since why would you /not/ have them speaking Japanese?
I am clueless and do not speak Japanese.
From what I heard, people were speaking Japanese, but I couldn’t clearly hear the background people in the various scenes. However, I think the movie takes place in something like a Japanese Hong Kong or Japanese Singapore, probably following a world war which shuffled the national boundaries throughout Asia.
Note: “Ghost in the Shell 2017 takes place in Japanese Hong Kong” is speculation on my part. However, some of it was filmed in actual Hong Kong, so it’s not entirely off-base.
It just sounds like the most credible explanation for why “Japan” is suddenly so multiracial, multicultural, and English-speaking that an entire team from its internal security services consists primarily of non-Japanese people who speak English.
You know, it’s not like science has fucking stopped entirely. So why the hell do none of these sci-fi shows seems to have any vision? It’s like ideas for sci-fi stopped being created in the 80s and they can’t use anything that wasn’t written about before 1990.
Because Eclipse Phase is too unrelatable to general audiences.
We even got a live action Ghost in the Shell movie, and it really missed tons of opportunities in trying to dumb itself down for general audiences. Perhaps the worst part of it is that Standalone Complex was really quite prescient about the power of memeforce!
Though really, I also think that many Hollywood writers are mostly not of the sci-fi visionary caliber to go from “what if some dude became part robot?” to “what if every dude became part robot?”
The latter includes all sorts of cascading changes throughout society, seen in shows like Standalone Complex, with ordinary people becoming vulnerable to cyberbrain crime and reserving organs to be grown in pigs. Psycho-Pass is really the spiritual successor here in that it will probably seem really prescient about the use of big data to analyze people for criminality in about 10-20 years, the way Standalone Complex seems prescient about crimes-as-memes.
But even then, those are what, two shows in a foreign country, where most of the shows are either not of that type, or not of that caliber.
How would American audiences have responded if Standalone Complex were a live-action TV show?
I feel like probably the language they were speaking was Japanese, since why would you /not/ have them speaking Japanese?
I am clueless and do not speak Japanese.
From what I heard, people were speaking Japanese, but I couldn’t clearly hear the background people in the various scenes. However, I think the movie takes place in something like a Japanese Hong Kong or Japanese Singapore, probably following a world war which shuffled the national boundaries throughout Asia.
“[Ghost in the Shell] is a perfect overlapping of form and function. They speak directly to the audience and say “the patriarchal corporation made Motoko white because they consider it more marketable.”
The irony of the film is that people [online] have bought entirely into the corporate logic and are now arguing that ‘authentic’ Japanese identity is superior because it’s even more marketable - literally that the movie would have made more money with an authentic Japanese on the posters.
In this view, Cutter was bad not because he was using billions of tax dollars to vicisect people for profit, but because he failed to make enough profit for his shareholders. He was not exploitative enough - he did not ‘Think Different". Cutter’s sneering racism is unfashionable, and so his Caucasian deathbots were left in the dust by the burgeoning Japanese-Looking Fucktoy industry.”
An interesting response, though I believe the arguers actually wanted it for authenticity/racial representation reasons and only made the argument about money because they thought “be more moral (according to our morality)” wouldn’t be convincing.
Huh,
You know, I just realized, the Ghost in the Shell: ARISE movie would have been better
as a book.
I’m surprised someone would need to write “Cyberpunk isn’t dead.”
Bro, we’re living it.