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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna

@thathopeyetlives

“cheating on marriage with a prostitute is OK” is Bad News. You’re looking at hyperpatriarchy there - the mortal consequences of it might be more… “contained” than either the anarchy we have today or the polygamy you attack, but it’s still very much not *good* even if you think mankind can permit adultery ever which it can’t.

Well, that’s Futurist Shitposting instincts - i.e., I proposed that combination because I find it hilarious, and also culture-shocking and weird relative to today, but feasible for a regime which is socially conservative in pragmatic synthesis ways, yet having retained a touch of the social liberalism of our time.

On the other hand, there are arguments to be made for it.

…which you’re already aware of, judging by what you just wrote there.

gendpol mitigated future

Anonymous asked:

No one who has seriously thought it through believes the dakimakura rumour. After all, why would a chronofelon settle for a mere image?
image

By 2056, every Wikipedia page of any figure of note, from George Washington to clerks for the Song Dynasty, has one of these as the primary image on the page instead of, you know, a painting or photograph.

Disney bought the rights in 2077 and manufactures a line of branded, family-friendly (by 2077 standards) androgynoids.

It makes dakimakura seem quaint in comparison.

Don’t blame me.

This is the future you people chose.

anons asks chronofelony shtpost augmented reality break mitigated future

Rhyme of the Sixth Child

@shieldfoss

Can’t get your core mind thread remotely hacked if it’s not wired to an antenna

Everyone, sing along:

The inputs aren’t together with the outputs
And the outputs aren’t together with the inputs
For each task a dedicated subsystem
You are the network,
You are the tree

The display is for displaying
The arm for throwing
The display doesn’t choose
Where the arm is going

Memories are their own network
Stored inside your brain
Hardlink only can dive your memory
Dead or dying in crimson rain

You are the network
You are the tree
What’s you is you,
and what’s me is me

Firmware is manual update only
The touch of the cord inside,
Validated and crypto-signed
Is the only right way for parts to sing

The songs of the aether are broken
A great storm that seeks to consume all it sees
Broken hearts and broken minds
If thy let it in to thee

You are the network
You are the tree
What’s you is you,
and what’s me is me

I mean, admittedly I kind of left out the rhythm entirely in translating it, but you get the idea.  Every good child, raised by high-aptitude-scoring parents, is taught this at age 6.

chronofelony shtpost mitigated future mitigated fiction augmented reality break flagpost what even is this blog

The year is 2077.

The new ultra-right-wing American Traditional Party clinches control of the government with only 35% of the vote in a divided electorate.

Their executive, President Ronald Jameson, issues an executive order reinterpreting the text of the Culturally Significant Properties Anti-Appropriation Act.

He reclassifies medieval and renaissance Europe, as well as Rome, and all derivative properties, as White European, a group which previously had no assigned cultural properties under the act.  

Chaos ensues.  Hundreds of thousands of cultural appropriation lawsuits are filed.  Challenges are made both to his interpretation, and to the unique ownership of these ideas and concepts.

But it is too late.  The Act was never designed with the proper restraints on power.  After all, the future only moves forwards, right?  And the metaphorical train of Separatism soon left the station.

the year is mitigated fiction mitigated future the culture war
argumate
femmenietzsche

Truly lovely. Sometimes it’s a drag, but I’m glad I live at the end of the great era of popular art.

rendakuenthusiast

Why do you think this is the end of the great era of popular art?

femmenietzsche

I’m too tired to fully explicate this, but the idea in my head is something like this. The great era of popular art (movies and pop music [that is, anything from jazz to rock to rap – anything with a backbeat], mainly) that’s lasted for a century or so was the product of a few one-time technological innovations – the reliable recording of audio and images plus the ability to distribute those recordings en masse. Mechanically reproduced art, basically. As soon as these technologies became viable there was a great wave of cultural innovation. Genre after genre was created and explored by artist after artist.

Think of the way that rock music developed from a primitive (not in a bad sense) model in the 50′s, to something more fully fleshed out in the 60′s as artists figured out what rock was, to all sorts of weird and baroque experimentation in the 70′s. That’s crude, but you get the basic idea. In an incredibly short span of time artists were figuring out what rock music could be, what its limitations were. There have been spasms of creativity in rock music since, but it’s fair to say that rock has slowly been drying up as a source of innovation since the 70′s. Why? Well, like I said, artists figured out what rock music was. There was less scope for things that were both novel and good. It’s still possible to make great rock music, even albums that stand up with the original greats, but it’s harder to surprise. Not impossible, but harder and harder. And so the culture moves on. Just as importantly, Real Artists move on. The productive subcultures go away, one by one. Hence why people say that rock music is dead. It isn’t dead, but it is eternally senescent in much the same way that classical is. All rock is now made in reference to the past.

However, at some point it’s not just that individual genres are losing their potency, it’s that the whole grouping of genres enabled by this new mode of artistic production are losing their potency. Punk was an interesting challenge to an overblown status quo. Grunge was a less interesting challenge to an overblown status quo. The third time will be utterly predictable and boring. Rock and rap and electronica are all different, but the parallels are obvious and at some high level things start to blend together. It’s predictable. You can still make good movies, but it’s hard to make one that’s unpredictable. What was the last new movie that surprised you in that way? Even the languages of shock and irony become played out. You can’t get heavier than doom metal without going below the range of human hearing. You can’t get noisier than noise music, or more ambient than ambient. Both popular music and its more experimental derivatives have been explored at this point. Not totally, but to an ever-increasing degree.

It’s taken a century, but this is the end of the line for innovation in popular art, the end of the golden age.

Or so the theory in my head goes. The other option is that the rate of cultural innovation has genuinely permanently increased and that we’ll see new and interesting popular genres get churned out indefinitely. It’s possible – it’s hard to distinguish between an S-curve and an exponential one when you’re on it – but I’m doubtful. It would hardly be the first time a whole style of art similarly lost momentum. I already mentioned classical music. Think too of the deconstructive impulse of Modernism. Exhibiting a urinal in a gallery is a genuinely interesting gimmick, but only for the first time.

In the end, there’s only so much you can do with a backbeat. Or with the shot reverse shot.

Which isn’t to say that art is dead forever, mind. (Or that pop art is going away. It’s popular for a reason!) That sort of mindless declinism is just tedious. I have no doubt that there will be equally interesting artistic innovations sooner or later. Though it is hard to see from where. So far video games have fallen woefully short of being Art Art (even the best written games are terribly mediocre compared to anything else), and the internet has been useful for distribution but not really for artistic innovation, with minor exceptions. So I dunno, we’ll see. But I don’t think there will be another rock music.

(Thanks to @argumate for some of the ideas here. I don’t think I’ve written this post before, but who can be sure of that kind of thing anymore.)

mitigatedchaos

The future is more art and more customization.

The use of algorithmic tools and other software allows for more creators to use less effort to create more art.  That leads to a greater volume of art and a potentially faster exploration of micro-genres.  These micro-genres will more closely suit the preferences of individual readers.

However, it is impossible for one individual to view all of this art.  There simply isn’t enough time, even for a NEET.  

This will allow shocks to occur when viewers leave their micro-genres in order to explore new ones.

Source: femmenietzsche art discourse mitigated future
(Ghost in the Shell: ARISE, 2015)
“Why do we have to meet in person? You telling me my cyberlobby is bugged?”
It just occurred to me that, assuming the cyberlobby is hosted locally, this someone their cyberlobby is bugged occupies a strange space in...

(Ghost in the Shell: ARISE, 2015)

“Why do we have to meet in person?  You telling me my cyberlobby is bugged?”

It just occurred to me that, assuming the cyberlobby is hosted locally, this someone their cyberlobby is bugged occupies a strange space in between telling they have the flu, telling them they have a bad apartment messed up by previous guests/habits, and telling them they have an STD.

Which makes it insulting, which is low-key hilarious.

gits ghost in the shell ghost in the shell arise potential spoilers mitigated future
discoursedrome
apricops

Every time I see one of those posts about “where are the fantasy stories with even remotely realistic economies and politics!” I glance over to the scattered notes and snippets I’ve made for Exactly That Story and get wracked with those why-aren’t-you-following-your-dreams shivers.

discoursedrome

For the third edition of the Exalted rpg, they went to a lot of trouble to cajole the guy who developed the first edition to come back and write some material for the book, and he totally didn’t give a shit since he’d been doing other things for ten years at that point. He’s an economist now, so the biggest contiguous contribution he made was like two pages that just talk about about currency denominations, coinage, and seignorage in the game’s fantasy setting and how those things related to factional politics, and they cut basically the entire section because people do not want to read two pages of that in the core setting chapter of a high fantasy adventure game.

This was the same game line that hired an actual marine historian to write the book about seafaring and thus got a huge amount of material about shipboard chains of command, hull and rigging types, naval watch scheduling, and so on. I loved that book unironically, but you basically can’t use that sort of material because 95% of people will just totally skip your weird Moby Dick style digressions into whale physiology or whatever.

Anyway, regarding your specific story: if the Silmarillion teaches anything, it’s that sufficiently detailed worldbuilding can overcome the need to actually write readable fiction.

mitigatedchaos

Misread this as “whale psychology”.

Source: apricops shtpost mitigated future
sadoeconomist
sadoeconomist

My 67-year-old mother saw a callout video on YouTube and now she’s furious and she’s trying to get involved in some kind of cyberbullying campaign over it, but she doesn’t know how to leave comments without using her real name

She wants me to help her set up another account in her cat’s name so she can send anon hate to this random arts and crafts vlogger who committed a minor act of plagiarism

This is the lamest of all possible cyberpunk dystopian futures

mitigated future